This week the developer released images of the building it is proposed to be built there. It is designed by Melbourne architects Ashton Raggatt McDougall.
The face is that of William Barak, an Aboriginal elder who lived between 1824 and 1903. He was the last traditional elder of the Wurundjeri people, whose land was where the city of Melbourne now sits. He was an accomplished bark artist, and a respected, articulator for Aborginal interests in the 19th century.
The face is only visible from a distance. It is certainly original although I haven't seen any commentator yet point out that the concept is identical to an idea ARM had for a residential building in Darling Harbour in Sydney, which would have had an image of the Max Dupain photo 'Bondi' on it. This was never built.
How does the face work? ARM's website describes the process for the Dupain building as follows:
To build this image the famous original photograph was scanned and processed into black and white strips using a sophisticated computer generated technique. Each strip became curved and rippled like ribbons or driftwood. Together these strangely evocative balustrade forms create the vivid optical illusion of the original picture, which becomes clearer as distance increases, to emerge as if from a mirage.
ARM are truly original. I wish they did more residential work, like these fabulous pointy angular beachouses:
They tend to stick more to urban design and iconic buildings, like this:
(new visitor centre at the Shrine of Remembrance)
(RMIT Storey Hall. I especially like the pink tram in this image)
Do you think it would be slightly odd to live in a building with a face on it , or would you not notice after a while?
(All Images from ARM)
(All Images from ARM)
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